Performance Research

Becka McFadden

  • Theft, Contestation and Affirmation in Contemporary Czech Theatre : Krepsko’s Ukradené ovace (The Stolen Ovation) (On Affirmation - Volume 19 Issue 2 pp. 126-134)

Navigation

  • The Journal
  • Current Issue
  • Forthcoming Issues
  • Past Issues
    • Authors
  • Editorial Process and Policy
    • Editorial Process
    • Calls for Submissions
    • Submissions Guidelines
    • Editorial Style Guide
    • Editorial Board
    • Copyright
  • Performance Research Books
  • Performance Research News
  • Subscriptions
  • Mailing List
  • Search
  • Contact

© Centre for Performance Research
Centre for Performance Research Ltd: Reg No 02315790 | Charity No 701544