Performance Research Volume 11 Issue 4

Digital Resources

Issue editors: Ric Allsopp & Scott deLahunta

ISBN: 978-0-415-40511

This issue, in a volume that explores the terms under which performance is debated, discussed, conducted, written about and constructed, focuses on the uses of digital resources. Drawing its material from current critical and practice-based research employed by artists and scholars working with performance in the arts and humanities, the issue will provide a constellation of work that furthers the debate on the influence of digital media on the generation of scholarly and practice-based research, and asks how digital resources have changed ways of working. The issue and its DVD supplement will be compiled and edited in association with the 2006 Digital Resources in the Humanities and Arts (DRHA) conference and will include contributions from N. Katherine Hayles, Roy Ascott, and Stelarc among others."

Editorial

Ric Allsopp, Scott deLahunta

pp. 1 - 4

Digital Resources DVD: Contents

Revealing and Transforming: How literature revalues computational practice

N. Katherine Hayles

pp. 5 - 16

Nature and Cyberspace: A deep slow aggregation over time

Sue Thomas

pp. 17 - 22

Generic Versus Idiosyncratic Expression in Live Performance Using Digital Tools

Sally Jane Norman

pp. 23 - 29

Will.o.wisp ('willow-wisp')

Kirk Woolford

pp. 30 - 38

Technoetic Territories

Roy Ascott

pp. 39 - 40

The Emergent Dress: Transformation and intimacy in streaming media and fashion performance

Johannes Birringer, Michèle Danjoux

pp. 41 - 52

Constructing Memories: Creation of the choreographic resource

Scott deLahunta, Norah Zuniga Shaw

pp. 53 - 62

Still Life in Motion: The performance of time in video painting

Christin Bolewski

pp. 63 - 66

Uncanny Interactions

Steve Dixon

pp. 67 - 75

Motion Tracking in TAG

Peter Bowcott, Low Brow Trash

pp. 76 - 80

Bearers of the Flame': Music, dance, design, and lighting, real and virtual - the enlightened and still luminous legacies of Hellerau and Dartington

Richard Beacham

pp. 81 - 94

New Media and Historical Narrative: 1884 Japan

Stefan Tanaka

pp. 95 - 104

Practice-as-Research and the Problem of Knowledge

Robin Nelson

pp. 105 - 116

Multi-disciplinary Perspectives on the British Library's Archival Sound Recording's Project

Philip Butler, Rachel Cowgill, Celia Duffy

pp. 117 - 126

Data_Cosm

Michael Takeo Magruder

pp. 127 - 128

Biotechnology as Mediality: Strategies of organic media art

Jens Hauser

pp. 129 - 136

Digital Practices: An aesthetic and neuroesthetic approach to virtuality and embodiment

Susan Broadhurst

pp. 137 - 147

Day of the Figurines

(Matt Adams) Blast Theory, Scott deLahunta

pp. 148 - 151

SWAP Project Presentation

Rudolph Quintas, Tiago Dionísio

pp. 152 - 154

Notes on Contributors

pp. 155 - 157