Volume 22 Issue 7
Issue editors: Joshua Abrams & Richard Gough
Publication date: 31 March 2018
Taking as a challenge the proverb that there is no disputing about taste, ‘De gustibus non est disputandum’, On Taste brings together a variety of contributors to examine notions of gustatory taste in relation to performance and performativity. Ranging across historical cookbooks, contemporary performance art, home cooking and restaurant dining as well as across varied cultures from throughout the world, the articles in this issue upend relationships of the aesthetics of sense and sensibility, as a means of understanding varying practices through embodied cognition, asking questions about what epistemologies of understanding might gain from a serious contemplation of taste as and in performance.
Volume 22 Issue 8
Issue editors: Susanne Foellmer & Richard Gough
Publication date: 13 April 2018
This issue asks about the consequences and specific modalities of leftovers in the performing and visual arts as well as in broader cultural and social contexts: What is the status of leftovers when, for example, being on display or being distributed otherwise after a performance? To what extent do they ‘help’ or rather ‘betray’ the attempts to write performing art’s history? What kind of impact does the integration of debris as art’s material have on the conception and reception of the artwork as such? And in what ways does a certain performative quality apply when it comes to the arrangement of leftovers other than working with ‘unused’ and ‘fresh’ material? What about the politicality of integrating leftovers into ‘newly’ done work? And how does the value of leftovers change when reintegrated into the consumer’s society? Those reflections also imply more general questions about the cultural status and value of leftovers in the social and political realm.
Volume 23 Issue 1
Issue editors: Adele Senior and The Institute for the Art and Practice of Dissent at Home
Publication date: 30 April 2018
On Children features critical analyses and practice-research interrogations on the politics and aesthetics of children in performance. It gathers new insights from international researchers and artists who work with children and seeks to draw up some of the epistemological and ontological borders of the child and childhood in relation to both historical and contemporary conceptualizations of children. Moving beyond well-established pedagogical paradigms of children’s participation in performance within the field, the issue poses questions of adult–child transvestism; queering children; the political and cultural rights of children; children as activists and collaborators; and children and radical immanence. Transnational in scope, with contributions from Australia, Canada, Greece, India, Italy, the Netherlands, the USA and the UK, this issue charts the multifaceted work of children in a wide range of performance practices as well as corresponding theoretical approaches across the fields of philosophy, gender studies, psychoanalysis, childhood studies, feminism, disability studies and political theory. On Children opens up new ways of working with and critically reflecting on children in performance.