Performance Research Volume 4 Issue 2

On Line

Issue editors: Ric Allsopp & Scott deLahunta

ISBN: 978-0-415-19803

Emerging digital media, information and communications technologies are changing the ways in which we understand and experience time and space, place and body. These developments challenge us to redefine existing strategies and forms of performance, and to create fresh approaches and alternative environments for performance making and composition. On Line will explore these changing conditions as they relate to performance practice and discourse. The editors invite materials from individuals and groups involved in exploring territories where emerging technologies and performance overlap and intersect, as well as excavations of the histories of performance and technology.

Editorial

Ric Allsopp, Scott deLahunta

pp. iii - iv

Death, Digitalization and Dys-appearance: Staging the body of science

Maaike Bleeker

pp. 1 - 7

A Microchip Inside the Body

Arlindo Machado

pp. 8 - 12

Jadi Jadian's Invisible Theatre: Heritage in the workshop of performance

Paul Carter

pp. 13 - 26

Utterance 1: Fighting My Own Endemic Technophobia (1996)

Guillermo Gómez-Peña

pp. 27 - 29

Shells That Matter: The digital body as aesthetic/political representation

Harald Begusch

pp. 30 - 32

Utterance 2: Performance, Technology and the Oracle

Mark Coniglio

pp. 33 - 33

Actions in Virtual Space

Marina Gržinić

pp. 34 - 41

Strategies, Tactics and Resolutions in 1999 [artist's pages]

Marko Peljhan

pp. 42 - 43

Utterance 3: If Only I Could Touch the Mouse, My Life Would Be Perfect

Amanda Steggell

pp. 44 - 46

Impossible Becomes Possible

Bojana Kunst

pp. 47 - 51

Utterance 4: Relational Architecture

Rafael Lozano-Hemmer

pp. 52 - 56

A Conversation about Jet Lag between Diller & Scofidio, Jessica Chalmers and Marianne Weems

Marianne Weems

pp. 57 - 60

Utterance 5: Mesh Performance Partnerships

Susan Kozel, Kirk Woolford

pp. 61 - 63

Dance Geometry

William Forsythe, Paul Kaiser

pp. 64 - 71

Utterance 6: Live and Media Performance - the Next Frontier

Richard Loveless, Lizbeth Goodman

pp. 72 - 77

The Laughing Dead and the Lively (or was it lovely?) Virgin: Theatre, circus and popular ritual in the work of Chiles's Teatro Circo Imaginario

Andrés del Bosque, Maximilano Salinas, Enzo Cozzi

pp. 78 - 88

Utterance 7: The Talking Cure n Hypermedia Performance Production

Adrianne Wortzel

pp. 89 - 91

Writing for a Cyborg Who Prepares (Part One)

Nancy Reilly-McVittie

pp. 92 - 95

Utterance 8: Letter to an Unknown Thief

Guillermo Gómez-Peña

pp. 96 - 97

Reviews: 'The ChoreoGraph': Non-linear choreography and fluid environments

Michael Klien, Nicholas Mortimer

pp. 98 - 100

Reviews: De Quincey/Lynch: 24 Hours

Ian Maxwell

pp. 101 - 102

Reviews: The KeyStroke Project

Sher Doruff

pp. 103 - 106

Reviews: Stills of the Night

Andrew Quick

pp. 107 - 108

Jetlag [artist's pages]

Diller & Scofidio

pp. 109 - 112

Book Reviews

Alexandra Carter, Claire MacDonald

pp. 113 - 119

Archive Review: The Net as Archive

Ric Allsopp, Scott deLahunta

pp. 119 - 120

Notes on Contributors

pp. 121 - 123